Places of Cohesion and Social Debate. Socio-Political Roles of Provincial Theatres during the Nineteenth Century
hg. von Giulia Brunello und Annette Kappeler
(Parodoi – Interdisziplinäre Studien zur historischen Theaterkultur, Bd. 3)
Baden-Baden: Ergon 2025
213 Seiten, mit zahlreichen Abbildungen und ausführlichem Register
Format 17 x 24 cm
ISBN 978-3-98740-239-5 (Print)
ISBN 978-3-98740-240-1 (ePDF)
doi.org/10.5771/9783987402401
This volume reunites contributions about 19th-century provincial theatres and their significance for local communities. Smaller theatres have long escaped the attention of researchers. Our current image of 19th-century theatres is shaped by historical evidence related to playhouses in European metropolises accessible to a tiny elite. Provincial theatres however were socio-cultural spaces where the population of a region could meet and exchange ideas, where information was sought, and public opinion formed. They shaped the ideas and social networks of the population, their programmes reflected ongoing debates and developments, and they can be seen as the focal point of local societies.
The volume is available here as a free PDF download, identical to the printed edition. The individual contributions can also be downloaded separately below. The print edition is available directly from Ergon Verlag (Nomos Group).
Content
I. Methods and state of research
Giulia Brunello/Annette Kappeler | Provincial Theatres as Places of Social Cohesion and Socio-Political Debate
Christine Carrère-Saucède | 23 ans de Bibliographie du théâtre en province au XIXe siècle [France] ou l’art et la manière de repousser les limites
II. Theatre-makers and -goers – Leadership, rebellion, and discipline
Anna G. Piotrowska | From an Actor to an Author, from an Amante to an Animator. The Role of an Individual in Shaping the Local Theatrical Repertoire
Sophie Horrocks David | French Travelling Theatre Troupes and the Creation of Regional Theatrical Communities, 1824–1864
Lenka Křupková | Visitors to the Municipal Theatre in the Olmützer Sprachinsel at the Turn of the Nineteenth and Twentieth Centuries
Andrew Holden | Opera and Theatre in a Model Worker Village – Schio’s “nuovo quartiere operaio”
Michele Nani | Disciplining Theatre Workers. Fines and the Fined in Nineteenth-Century Ferrara (Italy)
III. Performances – Social criticism, local pride, and scientific debate
Maria Teresa Morelli | ‘L’Opera’ come forma popolare di comunicazione politica
Tushara Meleppattu/Rakshit Kweera | Between Ritual and Radical. Socio-Political Discourses at the Transition of Kūṭiyāṭṭam’s Performative Tradition
Annette Kappeler | I Misteri della polizia austriaca. Reprocessing of an Epoch of Foreign Domination?
Cecilia Nicolò | Il Liceo musicale di Pesaro e le celebrazioni rossiniane del 1892
Alessandra Palidda | Teatro Arciducale, Teatro di Corte, Teatro di Periferia. Monza, Milan and the Transnational Opera House
Giulia Brunello | Magnetism on Stage – Elisa and Antonio Zanardelli